Friday, February 13, 2009

Project #2 Angels in America

1. Pre-Broadway Production


Magic of the angels; Angels In America by Tony Kushner National Theatre (Cottesloe)


by Nicholas De Jongh


Evening Standard (London)


January 24, 1992


http://www.lexisnexis.com/us/lnacademic/results/docview/docview.do?docLinkInd=true&risb=21_T5780281450&format=GNBFI&sort=RELEVANCE&startDocNo=1&resultsUrlKey=29_T5780281453&cisb=22_T5780281452&treeMax=true&treeWidth=0&csi=138528&docNo=3





"Tony Kushner's Angels In America is like a roman candle hurled into a drawing room."

This review talks about Kushner's script almost exclusively. As Mr. De Johng gives a summary of the plot, he also praises characterization and plot devices. He comments on the impact of Mr. Kushner's honest and brutal portrayal of AIDS on the stage. He also talks about the juxtaposition of the Angel's hopeful appearance in contrast to the betrayal, and self-deceptiveness of the rest of the characters. At the end of the review he mentions the design elements and acting, all in a postive light.

2.Original Broadway Production


Soaring 'Angels in America' // Ethereal epic of dissolution takes flight on Broadway


by David Patrick Stearns


USA TODAY


May 5, 1993


http://www.lexisnexis.com/us/lnacademic/results/docview/docview.do?docLinkInd=true&risb=21_T5780363104&format=GNBFI&sort=RELEVANCE&startDocNo=1&resultsUrlKey=29_T5780363115&cisb=22_T5780363114&treeMax=true&treeWidth=0&csi=8213&docNo=6





"This sprawling, two-part panorama of America falling apart amid AIDS and old-guard Republicanism, which opened Tuesday at the Walter Kerr Theater, often leaves actors and directors gasping to keep up with it."

Mr. Stearns obviously enjoyed the Broadway production of Angels in America, stating that the weaker moments in the original L.A. production have been adjusted for N.Y.C. (in a good way.) He praises the script, the acting, and the design of the production. Laughter is one thing he talks about being particularly surprising and positive about the play. He comments on the actor playing Prior and commends his portrayal comparing it to his work as the same character in the L.A. production.



3. Non-NYC Professional Production


Theater: Angels in America: Millennium Approaches


by Rick Reed


Windy City Times


March 15, 2006


http://www.windycitytimes.com/gay/lesbian/news/ARTICLE.php?AID=11036





"Sadly, this production of the first part of Angels in America, Tony Kushner’s epic portrait of America at the beginning of the AIDS crisis back in the early 1980s, never quite delivers on its obviously lofty ambitions."



Here is one of the few negative reviews I have come across. Mr. Reed speaks well of Kushner's script, even stating it is still relevant 20 years after being written. His complaints are if the production, acting and design. Mostly he focuses on how the design elements distanced the audience from the actors/characters. The lighting effects used did not allow the audience to see the pain in the actors' faces at important moments. He disliked the use of multiple coffins in the scenic design calling it "heavy-handed." As for the acting Mr. Reed doesn't seem impressed by the "one-note" performances and particularly has a problem with a woman being cast in three male role for what he considers novelty.




4. College Production

K-College theater hits most notes of 'Angels in America' just right


by Mark Wedel

Kalamazoo Gazette

May 16, 2008 07:27AM


http://blog.mlive.com/kzgazette/2008/05/kcollege_theater_hits_most_not.html


"'Angels in America, Part One: Millennium Approaches' is a sweeping symphony of dramatic themes."




Mr. Wedel praises this particular production of Angels in America, mentioning both technical design and acting. He makes an comment about how the fantastical script could come across as a melodrama, but the actor and director's have kept the focus on the character's very real issues. He also comments on the many, many themes hit upon by the script and the challenges of covering so much ground in one play. Though most of the article is plot summary, he has almost nothing but kind words for both the production and the script.



5. HBO Miniseries

Soaring Angels: Angels in America on HBO


by Dan Odenwald



Metro Weekly



PublishedDecember 4, 2003



http://www.metroweekly.com/arts_entertainment/tv/?ak=762



"Angels in America is intoxicating to watch. Not only is it mesmerizing and provocative, but it's also an inherently American piece, though one largely uninterested in underlining the myths of America."



The focus of this review is on the relevancy of Angels in America today and Kushner's wonderful writing. Mr. Odenwald seems to have enjoyed the television production of the play and appreciates the playwrights ability to unveil life's many contradictions. He states that the contradictions in personality make the characters human, maddeningly so. Overall he praises the acting and production of the piece but mostly he is focusing on the script.

Friday, January 23, 2009

Project # 1 Genres

Carnegie Mellon University School of Drama

1.The Other Shore
By Gao Xingjian

‘‘pure drama’’
http://www.enotes.com/other-shore/
"drama"
http://chicago.metromix.com/theater/theater_event/the-other-shore-lincoln-square/796597/content


2.Into the Woods
Music and LyricsBy Stephen Soundheim
Book by James Lapine

"fractured fairy tale"
http://www.mtishows.com/show_detail.asp?showid=000106

"original musical"
http://artsedge.kennedy-center.org/content/2441/




3.Mill on the Floss
By Helen Edmundson

"adaptation" "Based on the novel by George Eliot"
http://deptorg.knox.edu/newsarchive/news_events/releases_1997-98/Mill_on_the_Floss.html
"adaptation of George Eliot's gothic novel"
http://jam.canoe.ca/Theatre/Reviews/M/The_Mill_On_The_Floss/

4.The London Cuckolds
By Edward Ravescroft

"Restoration comedy."
http://theguide.latimes.com/fairfax-district/performing-arts/the-london-cuckolds-event
"seventeenth century British sex farce"
http://www.talkinbroadway.com/ob/3_5A_01.html


5.The Illusion
By Tony Kushner an adaptation of Pierre Corneille


adaptation of "French neo-classicist Pierre Corneille's 1636 comedy"
http://shakespearenj.org/past/2002/illusion_critical.html
"17th Century fairytale-fable"
http://www.broadwayplaypubl.com/Kushner.htm



6.Eurydice
By Sarah Ruhl


"interpretation of the Orpheus/Eurydice myth"
http://www.observer.com/2007/curiouser-and-curiouser-ruhl-wrecks-eurydice-whimsy
"love story"
http://www.culturevulture.net/Theater/Eurydice.htm




7.Heart of a Dog
By Mikhail Bulgakov


"bitingly satiric.....dramatization"
http://theater2.nytimes.com/mem/theater/treview.html?res=940DEFDC173FF932A35751C0A96E948260


"wickedly funny farce"
http://www.brad.ac.uk/admin/theatre/season/dog.php




8.Radiant Baby
Music and Lyrics by John Bucchino



"frantic....new musical"
http://theater2.nytimes.com/mem/theater/treview.html?res=9C07EED71E3CF930A35750C0A9659C8B63
"New York City musical"
http://www.haringkids.com/lessons/envs/live/htdocs/lesson102.htm



9.Someone Who’ll Watch Over Me
By Frank McGuiness


"veers from tragedy to high comedy"
http://www.discoverireland.ie/DI/resultsengine/IndividualResultTCS.aspx?touristItemID=75057
"searing drama"
http://www.thestage.co.uk/reviews/review.php/16980/someone-wholl-watch-over-me.php/16980/someone-wholl-watch-over-me/



One Flea Spare
By Naomi Wallace

"A Modern Classic"
http://tech.mit.edu/V122/N22/dramashop_fred.22a.html
"poetic drama"
http://www.stagepage.info/reviews/flea.html



Pittsburgh Public Theatre
1.METAMORPHOSES
By Mary Zimmerman

"adaptation of Ovid’s Metamorphoses"
http://drama.arts.uci.edu/faculty_bios/rcohen/mary.html

"story-theater adaptation of some of the mythical Greek tales in Ovid's Metamorphoses"
http://findarticles.com/p/articles/mi_m1083/is_1_76/ai_81764245/


2.THE WORLD GOES 'ROUND
By John Kander and Fred Ebb

"glittering revue"
http://www.mtishows.com/show_detail.asp?showid=000140
"musical revue"
http://talkingbroadway.org/regional/dallas/dallas7.html



3.A MOON FOR THE MISBEGOTTEN
By Eugene O'Neill

"O’Neill’s last completed drama"
http://theater2.nytimes.com/2007/04/10/theater/reviews/10moon.html

"comic drama"
http://www.playbill.com/news/article/103750.html


4.HARRY'S FRIENDLY SERVICE
By Rob Zellers

"world-premiere comedy"
http://www.playbill.com/news/article/115005.html


5. The Chief
by Rob Zellers and Gene Collier

"one man play"
http://www.talkinbroadway.com/regional/pitt/p78.html






6.Radio Golf
by August Wilson

"drama"
http://www.playbill.com/news/article/108750.html

"bustling comedy crossed with an old-fashioned melodrama"
http://theater2.nytimes.com/2007/05/09/theater/reviews/09radio.html




7. The Lady With All The Answers
by David Rambo

"solo show"
http://www.latimes.com/entertainment/news/arts/la-et-lady27-2008oct27,0,207072.story

"biographical drama"
http://www.chicagotribune.com/features/lifestyle/chi-lady-answers-ovn-0602jun02,0,4890176.story



8.The Comedy of Errors
by William Shakespeare

"comedy"
http://www.onlinereviewlondon.com/reviews/ComedyOfErrors.html

"Shakespeare's own take on the Plautus comedy"
http://www.curtainup.com/comedyoferrorsberk.html




9.This Wonderful Life
by Steve Murray

"...stage adaptation of the perennially popular holiday film, It’s a Wonderful Life."
http://www.sjrep.com/plays/2008/this-wonderful-life/


"one-man show"
http://broadwayworld.com/article/This_Wonderful_Life_and_Neil_Casey_Soar_Like_Angels_20071128




10.Amadeus
by Peter Shaffer

"biographical drama"
http://plays.about.com/b/2008/10/17/amadeus-peter-shaffers-masterful-tribute-to-mozart.htm

"drama" http://broadwayworld.com/article/Peter_Shaffers_Amadeus_Chicago_Shakespeare_Sept_6_20080815